{"id":1852,"date":"2018-06-07T08:02:16","date_gmt":"2018-06-07T08:02:16","guid":{"rendered":"http:\/\/www.twofamilyarchives.com\/derschmidt\/2019\/11\/08\/1394-copy-copy\/"},"modified":"2019-11-08T08:02:55","modified_gmt":"2019-11-08T08:02:55","slug":"1394-copy-copy","status":"publish","type":"post","link":"https:\/\/www.derschmidt.com\/de\/2018\/06\/07\/1394-copy-copy\/","title":{"rendered":"Mind Crossing Performance in M\u00fcnchen"},"content":{"rendered":"

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So, 1.7.2018, 17:00
\nStart an der R\u00fcckseite des Kunstpavillons,
\nSophienstr. 7a | 80333 M\u00fcnchen<\/p>\n<\/div>\n

Eine wandernde Performance durch Alten Botanischen Garten endet\u00a0in der Ausstellung Familien Archive im Kunstpavillon im alten botanischen Garten<\/a><\/p>\n

Kurator: Friedemann Derschmidt<\/a>
\nK\u00fcnstlerinnen und K\u00fcnstler: Tal Gur (IL\/USA), Friedemann Derschmidt<\/a> (A), Bettina Henkel (D\/A), Shimon Lev (IL), Haim Ben Shitrit (IL)<\/p>\n

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Mind Crossing<\/em> tells the story of one family\u2019s heartbreaking loss and struggle to emigrate during the Holocaust. Based on a collection of letters which musician Tal Gur\u2019s grandfather wrote after World War II, the piece features Hebrew songs translated to English, alongside free improvisation and progressive jazz.<\/p>\n<\/div>\n

Eine unglaublich wirkm\u00e4chtige multidisziplin\u00e4re Performance: Mindcrossing erz\u00e4hlt die ersch\u00fctternde Geschichte der Gro\u00dfeltern Tal Gur\u00b4s auf ihrem Weg aus dem Holocaust entlang der hebr\u00e4ischen Briefe, die der Gro\u00dfvater nach seiner Befreiung aus dem Konzentrationslager (Kaufering\/Dachau) an die Verwandten in Pal\u00e4stina schrieb. Den Briefen, denen jede Emotion fehlt nachsp\u00fcrend, macht Gur sich mit Hilfe Jasmin Avissars auf die Suche nach den verlorenen Gef\u00fchlen, einf\u00fchlsam, vorsichtig und in keiner Weise esotherisch oder kitschig endet die Performance im Trialog des K\u00fcnstlers mit seinen verstorbenen Gro\u00dfeltern.<\/p>\n

\n

Tal Gur | Saxophone, Compositions, Sound Design
\nJasmin Avissar | Choreography, Dance
\nHerbert K\u00f6nigshofer | Saxophone, Percussions
\nL\u00e1szl\u00f3 Benedek | Dance<\/p>\n

\u201cGur\u2019s work is a look into the opposing emotions that we all wrestle with.\u201d<\/em>
\nDan Bilawsky, All About Jazz Magazine<\/p>\n

Nach der Performance fand ein Publikumsgespr\u00e4ch statt.<\/p>\n<\/div>\n

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About the Performers<\/h2>\n

Tal Gur<\/strong>\u2019s musical identity emerged while watching and listening to aircrafts take off and land at the air force base where he grew up. Located in the heart of the pastoral fields of Jezreel Valley in Israel, Gur began his musical journey where many reed players do, by playing the recorder, and probably the aspects of exhaling\/creating sound, combined with the music he heard at home pulled him toward the saxophone. After moving out to a small town nearby, he began playing the saxophone. Over time Gur was drawn strongly to the world of improvisation, free expression and poetry. Gradually he taught himself to play the piano, guitar, bass, drums and started to write and compose songs. After military service, he studied sound techniques in Tel-Aviv and later on moved to Jerusalem to study at the music academy.<\/p>\n

Gur has performed on many stages in Israel, Europe and the United States with groups such as: MarshDondurma (Tel-Aviv jazz festival 2008, Israel Festival 2008, Rijeka jazz festival in Croatia, 2008, The international jazz festival Eilat 2010), Judy Lewis quartet (three residencies at the Pizza Express jazz club, Soho, London 2004-2005, Tel-Aviv jazz festival 2006), What Cheer? Brigade (Newport folk festival 2011). Additional works include: Shlomo Gronich, Shlomo Yidov, Alon Oleartchic, Dan Toren, Shaanan Street, Efrat Gosh to name a few. The ongoing urge to understand the inner world and the connection to music, combined with the urge to assist people who are in need of support, brought Gur to pursue a Master\u2019s degree in music therapy. In 2010, he relocated to the United States, expanding his journey as a musician and as a music therapist. Gur\u2019s newest work \u201cmind crossing\u201d is a multidisciplinary project that combines music, video, text and dance. It is based on a collection of letters that Gur\u2019s grandfather wrote after the holocaust, telling the story of a reconstruction of life and relationships.<\/p>\n

Jasmin Avissar <\/strong> was born in Jerusalem, Israel, graduated with honors the Jerusalem Academy of music and dance. Student of Nina Timofeeva (former Prima Ballerina of Bolshoi Theater) and a co-founder of the Jerusalem Ballet Company and School (2004).
\nWorked as a dancer with the choreographers: Joseph Tmim, Joseph Jungman, Thomas Mcmanus, Jean-Loup Jordan, Boris Nebyla, Robert Sher-Machherndl. Natalia Horecna As an Assitant-Choreographer with: Jean-Loup Jordan, Jean Guilalume Bart, Boris Nebyla, Natalia Horecna, Evelyn Teri. A a choreographer: \u201dRechnitz\u201d (2016) theater piece by Milo\u0161 Loli\u0107 at Volkstheater Wien, \u201cNinth Fort\u201d (2016) collaboration with the musician Tal Gur, \u201cNiemandsland\u201d (2013-15, 2016) theater piece by Yael Ronen at Schauspielhaus Graz\/Volkstheater , \u201cArchaeopteryx\u201d (2014-5) solo work Auf Tasten und Spitze: collaboration with the composer and pianist Oliver Peter Graber, \u201cDer Schneemann\u201d (2014) full length ballet production for the Ballettakademie der Wiener Staatsoper. As a ballet teacher and coach : Ballettakademie und Jungekompanie der Wiener Staatsoper (Austria), Teatro Argentino de la Plata (Argentine),
\nJerusalem Ballet (Israel).<\/p>\n

L\u00e1szl\u00f3 Benedek<\/strong> was born in Kazincbarcika, Hungary. After his education as ballett dancer at the Hungarian Dance Academy in Budapest he joined the Gy\u0151ri Balett. Here performed the Salamanda in Gustavo Ramirezs \u201eGaudi\u201d, solo in the Robert Norths \u201eDeath and the Maiden\u201d, solo in Marie Brolin-Tanis \u201eHamlet\u201d and solo in Ben Von Covenbergs \u201eChaplin\u201d. He won a Keresztes M\u00e1ria Award in 2006. In 2012 L\u00e1szl\u00f3 Benedek was engaged by the Ballet of Wiener Staatsoper und Volksoper working with choreographers such as: Lehrer L\u00e4mpel , Michael Kropfs , Vesna Orlic, Andr\u00e1s Luk\u00e1css , Thierry Malandens and Andrey Kaydanovskiy.<\/p>\n<\/div>\n

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Documentation:<\/h3>\n
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pict by Karina Kleiber <\/div> <\/div>
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pict by Karina Kleiber <\/div> <\/div> <\/div>
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pict by Karina Kleiber <\/div> <\/div> <\/div> <\/div>
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pict by Karina Kleiber <\/div> <\/div> <\/div> <\/div> <\/div>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

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