SAG DU ES DEINEM KINDE! Nationalsozialismus in der eigenen Familie

(English) For this project, it is crucial to understand that the Nazis did not emerge from a void like a horde of madmen and then disappear into it again. They were also not “others” who turned up from outside, but instead, came from the heart of society: our own fathers and mothers, grandparents, aunts, and uncles were “the Nazis.” Taking a step back, and from this wider perspective, also taking the nineteenth century into consideration, based on the concrete example of my extended middle-class family, it is possible to clearly reveal how the frequently disastrous interplay of nationalism, youth movement, reformation and purity fantasies, and no least modern science, etc., must have unfolded. My specific family is, in this regard, not at all special or unique. The “Reichel complex” project can, instead, serve as a model for many Austrian, German, and other European families that were involved in the Holocaust.

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Nationalism in the History of the Holocaust, Genocide, and Mass Violence

Leider ist der Eintrag nur auf Amerikanisches Englisch verfügbar.

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MemScreen – An Art-Based Archive of Translation and Narration

Projektnummer: AR 96 Programm zur Entwicklung und Erschließung der Künste (PEEK) ProjektleiterIn: Friedemann DERSCHMIDT Kuratoriumssitzung: 29.11.2010 Abstract: MemScreen – An

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Intertwining Heritage: Language, Research, and Representation Based on Cultural Traumas

Leider ist der Eintrag nur auf Amerikanisches Englisch verfügbar.

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Vom Archiv ausgehend.

Vom Archiv ausgehend. Institutionelle Geschichte(n), Regime der Bildung, Künstlerische Praxen und Erinnerungspolitiken im Rahmen eines internationalen Symposiums werden am 20.

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“Doing Memory” Art, Research and the Politics of Memory and History

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Conserved Memory

Abstrakt: Das Projekt “Conserved Memory” analysiert verschiedene Prozesse der Erinnerungspolitik von verschiedenen Erfahrungshintergründen aus. “Conserved Memory” baut auf den Forschungsergebnissen

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